Bibliografía sobre el reggaetón
Editado por Dr. Omar Ruiz Vega
Books
Rivera, Marshall and Pacini Hernandez, eds. Reggaeton, (Durham, NC: Duke University Press, 2009).
Petra R. Rivera-Rideau, Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico (Durham, NC: Duke University Press, 2015).
Sheilla R. Madera, Nelson Varas-Díaz, and Daniel Nevárez Araújo, eds. The Bad Bunny Enigma: Culture, Resistance, and Uncertainty, Extreme Sounds Studies: Global Socio-Cultural Explorations Series (Lanham, Maryland: Lexington Books, 2025).
Journal Articles and Book Chapters
Dinzey-Flores, Zaire Z. 2008. “De la disco al caserío: Urban Spatial Aesthetics and Policy to the Beat of Reggaetón”. Centro Journal 20 (2): 35–69.
Domino Rudolph, Jennifer. 2011. “Pidieron Cacao: Latinidad and Black Identity in the Reggaetón of Don Omar”. Centro Journal 23 (1): 31–53.
Omar Ruiz Vega, ‘Representando al caserío: Narcocultura y el diario vivir en videos musicales de reggaetón’, Latin American Music Review, 39/2 (autumn/winter 2018), 229–65.
Omar Ruiz Vega, 2022. “The Influence of Narcoculture on Popular Music: A Critical Look at Reggaeton’s Narco-Messages and Narco-Representations.” Journal of the Royal Musical Association 147 (1): 77–104. https://doi.org/10.1017/rma.2022.13.
Omar Ruiz Vega, “De Puerto Rico Pal’ Mundo: A Brief History of Puerto Rico’s Reggaeton Music Scene,” in Made in Puerto Rico: Studies in Popular Music, ed. Hugo R. Viera-Vargas et al., Routledge Global Popular Music Series (New York: Routledge, 2024), 133–45
José Gálvez, ‘Machtverhältnisse, Genderasymmetrien und Körperkonfigurationen in Reggaeton’, PopScriptum: Sound, Sex und Sexismus, 12 (2016), <https://www.musikundmedien.hu-berlin.de/de/musikwissenschaft/pop/popscriptum-1/sound-sex-undsexismus/12-sound-sex-und-sexismus>
Jillian M. Báez, ‘“En mi imperio”: Competing Discourses of Agency in Ivy Queen’s Reggaetón”, CENTRO: Journal of the Center for Puerto Rican Studies, 18 (2006)
Dediós, Patricio Josué Velarde. “Reguetón de mujeres para mujeres: dos caminos de empoderamiento.” Antec: Revista Peruana de Investigación Musical 5, no. 1 (2021): 91-109.
See Luisa Fernanda Espinal Ramírez, Silvia Díaz-Fernández, and Johnny Orejuela, “Tendencias investigativas sobre el reggaetón y horizontes de conocimiento futuro de un fenómeno sociocultural en expansión,” Cuadernos de Música Iberoamericana 37 (December 19, 2024): 432, https://doi.org/10.5209/cmib.99810.
Tesis
Pérez, Luz A. 2008. Reggaetón: Manifestación Artística de los Marginados. Tesis de maestría, Universidad de Texas, San Antonio.
Rosa Thillet, Ana. 2006. “La representación de la marginalidad por parte de la industria del reggaetón en Puerto Rico.” Tesis de maestría, Universidad de La Habana, Habana.
Magazine and Newspaper Articles
Torres Torres, Jaime. 2004. “Ojo crítico al ritmo del reggaetón”. El Nuevo Día, 10 de octubre, 4.
Leila Cobo, ‘Radio Finally Ready for Reggaetón’, Billboard, 6 November 2004, https://worldradiohistory.com/hd2/IDX-Business/Music/Billboard-Index/IDX/2004/2004-11-06-Billboard-Page-031.pdf
SpencerKornhaber, ‘“Despacito” and the Revenge of Reggaeton’, The Atlantic, 20 March 2017, https://www.theatlantic.com/entertainment/archive/2017/05/despacito/527403/
Jessica Roiz, ‘Luis Fonsi Breaks Seven Guinness World Records Titles Thanks to “Despacito”’, Billboard, 17 October 2018, <https://www.billboard.com/articles/columns/latin/8480426/luisfonsi-despacito-breaks-guinness-world-records>
Keith Caulfield, ‘Bad Bunny Makes Latin History on Billboard Charts with New Album “YHLQMDLG”’, Billboard, 8 March 2020, <https://www.billboard.com/articles/business/chartbeat/9330437/bad-bunny-latin-history-billboard-charts-yhlqmdlg>
Alcántara, Amanda. 2022. “Tego Calderón ‘El Abayarde’ 20th Anniversary: How The Album Embodies the Powerful, Raw Spirit of Reggaeton.” Rolling Stone, November 1, 2022. https://www.rollingstone.com/music/music-latin/tego-calderon-el-abayarde-20th-anniversary-1234622295/.
Billboard. 2022. “The Stories Behind ‘Despacito’: Luis Fonsi and Daddy Yankee on the Making of the ‘Crazy Song,’” May 26, 2022.
Caulfield, Keith. 2020. “Bad Bunny’s ‘El Ultimo Tour Del Mundo’ Debuts at No. 1 on Billboard 200 Chart, Is First All-Spanish No. 1 Album.” Billboard (blog). December 6, 2020. https://www.billboard.com/pro/bad-bunny-el-ultimo-tour-del-mundo-billboard-200-number-one/.
Cobo, Leila. 2007. “Latin Music Quarterly: La Evolución de Reggaetón,” September 8, 2007.
Cobo, Leila. 2021. “‘Despacito’: An Oral History of the Global Hit With Luis Fonsi, Daddy Yankee, Scooter Braun and More.” Variety, March 2, 2021. https://variety.com/2021/music/news/despacito-oral-history-justin-bieber-luis-fonsi-daddy-yankee-leila-cobo-1234918833/.
Cobo, Leila. 2022. “5 Ways ‘Despacito’ Changed Latin Music Forever.” Billboard, June 1, 2022.
Cobo, Leila. 2023. “Why Noah Assad’s Historic Success Transcends Bad Bunny.” Billboard, February 2, 2023. https://www.billboard.com/pro/bad-bunny-manager-noah-assad-executive-of-the-year-interview/.
Corbett, Sara. 2006. “The King of Reggaeton.” The New York Times, February 5, 2006, sec. 6; Column 2.
Flores, Edwin. 2022. “Bad Bunny’s Grammy Album of the Year Nomination Is Historic: Here’s Why.” NBC News. November 15, 2022. https://www.nbcnews.com/news/latino/bad-bunny-makes-history-grammy-album-year-spanish-rcna57332.
Flores, Griselda. 2022. “Bad Bunny Is Making History Before Our Eyes: Inside His Enormous 2022 First-Half Numbers.” Billboard (blog). July 21, 2022. https://www.billboard.com/music/latin/bad-bunny-2022-first-half-chart-records-stats-1235116706/.
Gurza, Agustin. 2006. “When the Fad Goes Fizzle.” Los Angeles Times, April 16, 2006. https://www.latimes.com/archives/la-xpm-2006-apr-16-ca-reggaeton16-story.html
Marino, John. 1995a. “Police Seize Recordings, Say Content Is Obscene.” The San Juan Star, February 3, 1995.
Marino, John. 1995b. “Court Dismisses Charges against Music Stores.” The San Juan Star, February 24, 1995.
Negrón-Muntaner, Frances, and Raquel Z. Rivera. 2008. “Reggaeton Nation.” NACLA, March 13, 2008. https://nacla.org/news/reggaeton-nation.
Pareles, Jon. 2003. “Pop Review: A Caribbean Party With a Hip-Hop Beat.” The New York Times, August 12, 2003, sec. Section E, Column 4.
Pérez Rivera, Tatiana. 2002. “Lucrativo El Baile Del Perreo.” El Nuevo Día, May 26, 2002.
Quinee, Butler. 2008. “Editorial: Reviving Reggaetón.” Billboard, April 12, 2008.
Reyes Avilés, Huaralí. 1999a. “Playero DJ Revela La Historia Del Underground.” El Vocero, August 5, 1999.
Reyes Avilés, Huaralí. 1999b. “Playero DJ…el Genio Detrás Del Rap Underground.” El Vocero, August 6, 1999.
Zellner, Xander. 2022. “Bad Bunny Becomes First Latin Artist to Top Billboard Artist 100 Chart, Thanks to ‘Un Verano Sin Ti.’” Billboard, May 17, 2022. https://www.billboard.com/music/chart-beat/bad-bunny-first-latin-musician-top-artist-100-chart-1235072345/.
del Valle Schorske, Carina. 2020. “The World According to Bad Bunny”. The New York Times, October 11, 2020. https://www.nytimes.com/interactive/2020/10/07/magazine/bad-bunny.html
Frankenberg, Eric. “Bad Bunny Closes Out 2022 With Record-Breaking $435 Million in Tour Grosses”. Billboard, December 13, 2022. https://www.billboard.com/pro/bad-bunny-2022-concerts-earn-record-breaking-435-million/
Herrera, Isabelia. 2016. “Meet the Woman Who Was Never Credited for Singing Reggaeton’s Biggest Hooks.” Remezcla, May 16, 2016. https://remezcla.com/features/music/jenny-la-sexy-voz-profile/.
Jaime O. Bofill-Calero, “Sin Perreo No Hay Revolución: The Day Reggaeton Became Puerto Rico’s National Music?,” AMS Musicology Now, June 18, 2022, https://musicologynow.org/sin-perreo-no-hay-revolucion/
Documentaries
Boy Wonder. 2004. Chosen Few: El Documental. Virgin Records US.
Leigh Savidge, S., et al. 2008. Straight Outta Puerto Rico: Reggaetón’s Rough Road to Glory. Lionsgate.
Podcasts
Instituto de Etnomusicología PUCP, dir. 2020. Reggaetón, Nueva Matriz Pop Global. Saberes Musicales. https://www.youtube.com/watch?v=5n1D0X2abm0.
Ivy Queen. 2021a. Bigger, Badder, Louder. LOUD.
Rapetón, dir. 2020. Los Fathers Cuentan La Historia Del Reggaetón. In Guru We Trust. https://www.youtube.com/watch?v=SEqXRK72zkA.
Editado por Dr. Omar Ruiz Vega
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